The following essay was published in 2015 in vol. 1, issue 1 of the Black Order of Vinland’s zine, “Dark Effluvium”. It is being reproduced here for the purpose of making available the teachings of Dark Heathenism which have been previously unavailable to the public. Further pieces from “Dark Effluvium” will be published later in the future.
In recent times, various faux-Heathen organizations have arisen that misinterpret, outright dishonor or altogether extinguish the use of our first distinguishing symbol of aristocracy among an invading alien culture. Like all things in the occult, there is multiple layers of meaning behind any sigil. Runes for example possess an exterior (causal) meaning and then provide extended (acausal) significance in divination. The first is basic and clearly ascertainable, the second requires extended, meditative contemplation.
The symbol of the Thor’s hammer has three meanings: First, it is a hammer, emblematic of the mythic Mjolnir which slew many giants in Thor’s adventures, but beyond this, the symbol represents multiple functions of which the archetype of its wielder embodied. The idea that a tool used for construction, a small handed hammer might become of anguish to foemen, is a direct result of Thor’s position as the “Everyman” of Europe. Thor’s figure was not authoritative, rather reflective of the common-folk, who using their everyday tools, might become warriors in times of need. Similarly, Thor being a god of farmers, the working man and productivity assists this symbolism in cohesive thought.
The design is also that of a Penis, complete with testicles, relating to the cult of Freyr, or the Dionysian-counterpart of the North. Being a deity of Fertility and Kingship, Freyr exposed the wild and aristocratic nature of the European thoroughbreds in their unbridled and virile madness. Early Christians wrote of their horror when coming into contact with the cult of Freyr, whose ecstatic practices destroyed the barriers of pious thought in every regard.
The symbol is also a cross, otherwise relative to Odin, whose sacrificed eye would drown into the well of Mimir. Many regard the Odin’s cross not just to be a symbol of the eye that was lost, but all models of sacrifice illustrated in the Eddas. In later syncretic Christianity, the Odin’s cross would be used as evidence to accent the sacrificial nature of the deity and make convertive-associations with the God of the warriors. Allusions to the Rune poem of the Havamal and the Crucifixion of Christ made many northmen sleep easier believing that the new religion was something of a variant apprehension of what already existed. Some of the earliest Saxon literature attests to this middle period which bridged the two cultures, an example is the “Dream of the Rood,” which paints Christ as a valiant warrior and makes allusions to Germanic cosmology both overt and hidden in the poetics.
What makes this symbol most interesting is when comparing these three Gods: Thor, Odin, and Freyr (all of which appear on a Swedish Cathedral Mosaic representing these exact three functions) is the fact that each of their counterparts, which are Sif, Freyja, and Frigg are all chthonic feminine identities for the Earth. Indeed, all three names are used synonymously with Eorthe (Erda) of the Dark Tradition, in sources such as the Prose Edda, which the expounding of Skaldic Poetry broadens the apprehension of the Germanic mind, and how they viewed the forces beyond the realms of man. In addition, there is a paradigm criss-cross with some of these Gods and their counterparts, such as Odin and Freyja, serving many of the same functions. Many scholars believe that this is due to the fact that Frigg was a later invention to accompany the already existing Freyja, or vice versa.
To make matters even more clear, it would be beneficial to invoke the triplicity of Odin, from the account of the Voluspa. The three gifts to man were Soul (Odin), Sense (Vili/Hoenir), and soul (Ve/Lodur). The gift of the Soul, naturally compares to Odin’s varied quests of self-excellency. Hoenir’s sense is interestingly related to the nature of science and craftsmanship (e.g., the nature of vocation) and Lodur’s blood is often seen as the hot and rushing impulse that guides all passions.
This is just mythology, and the myth carries secrets to be used functionally in the occult. If nothing more, this should illustrate that WOTAN is far beyond a cultural godform as WOTAN has embodied many forms, served many functions (War, Vocation, Ecstasy) and is a Shapeshifter. The Vril Of The Aeonic Nexion embodies many archetypes and can be used for many functions, but to apprehend its multiplicity of uses is the beginning of wonder. There is no more archetypal symbol for all of Heathenry than the Mjolnir and it is because of the Vril Of The Aeonic Nexion, in its mythic/acausal forms (Thor, Freyr, and Odin), as well as its causal forms (Thunder, Lightning, and Electricity), as well as its abyssal nature: the Emblem of all who praise WOTAN as their ancestors did.
-Orlog







